Sunday, October 6, 2013

Crossroads (A Trip to Anderson Prairie)

A Crossroads

 Crossroads

Two roads diverged in a wood
And I took the one less traveled by.

Death...reaching high above
Or so the poem goes.

But what if it isn't two paths?
But three? Or four?

A

Crossroads

Of Life and Death

Death, with its
Dark, smothering stench
Reaching high above
Or a buzzing honeybee

But life struggles through
As a purple flower
Or a buzzing honeybee

And as you traverse the
Crossroads
Death gives way to Life

Vibrancy and growth
And you can see it all.
It becomes manageable,
No longer drowning

But Living


But Living

It's all about the Benjamins, baby

For someone who writes under a million or so pennames, Benjamin Franklin does a surprisingly good job connecting himself to his text in his writings. I found this especially evident in “Information to Those Who Would Remove to America” and “The Way to Wealth.”

Let’s start with “Way to Wealth.” Not only is Ben using a pseudonym here (in this case, “Poor Richard”) but he’s not writing directly as Poor Richard. He’s writing as Poor Richard writing a letter to his readers, and Poor Richard is describing a situation in which Father Abraham just so happened, by a crazy coincidence, to have every word of Richard’s almanacs memorized. At least that’s the way it seems, given how proficiently he quotes them. So, this piece is Poor Richard describing Father Abraham who is quoting Poor Richard who is actually Benjamin Franklin. It’s like the 18th century version of Inception! Here, Franklin is trying to hide the fact that he’s connecting himself to his text; he’s writing under the persona of Poor Richard, who isn’t just sharing his own thoughts but is writing them through the guise of another person. Essentially, Franklin is tooting his own horn without it looking like he is, the crafty guy. Most of the things Father Abraham says Poor Richard said in this piece are attributed to Benjamin Franklin (“Early to bed, and early to rise, makes a man healthy, wealthy, and wise,” “God helps them that help themselves”), so they are his own thoughts; they’re just masterfully hidden Inception-style through layers of pseudonyms.


“Information to Those Who Would Remove to America” is connecting self to text in a different way, because it is admittedly self-penned, as opposed to the writer’s identity being shrouded. However, he refers to himself in the third person, which adds a sense of distance to this piece. He speaks convincingly of his own experiences, both in and out of America, because he does genuinely care about the country and about its global reputation.